Certified appraiser Libby Holloway talks antiques and collectibles.
When Real Men Used Floral Fabrics
Wednesday, 18 August 2010 10:01
Okay ladies, in this age of statements like “real men wear pink” or “real men eat quiche,” will your real man sleep in floral sheets? Mine will cook, change diapers, wear pink AND eat quiche all in the same day as long as I don’t ask him to sleep in floral bedding or put anything “girlie” in his den. I did manage to sneak one floral print over our bed but I think he just hasn’t really looked at it yet.
One of the most common laments I hear as an appraiser is, “My kids just don’t appreciate my antiques!”. This seems to be especially true for silver and porcelains. Many young adults today have embraced a simple decorating style with modern touches. Your collection of Shaker stands might fit but your Victorian etagere is definitely out the door!
Maybe all the stormy weather we’ve had lately has put me In a ghost story mood, or maybe it was the bonfire we had, just to get one last roasted marshmallow in before it gets too hot. At any rate, my family has been retelling some of our old favorites. It seems appropriate that my husband found someone with another interesting story involving haunted furniture for my collection.
My new friends Bob and Michael Pearson have a home full of beautiful antiques from their respective families. Bob has nautical pieces that reflect his family’s love for the sea, where they made their living. Michael’s family were involved with the railroad and she has albums of great photos to illustrate her wonderful stories. They have interesting pieces they have collected during their travels during Bob’s military career. All this is interspersed with Michael’s own paintings, mostly of flowers.
There are several pieces of Victorian furniture and decorative items that came from her family home. Among these pieces are a desk in the Eastlake style with figured walnut veneer. The top rolls up to expose a writing surface and a series of drawers and slots. You can just imagine all the writers who sat at the desk to compose letters to friends and family. They also showed me an Edwardian writing slope. This piece was made toward the end of the popularity of this form. There is an embossed leather writing surface and wells for crystal ink wells and pens. The closed desk has painted and inlaid decoration on a bird’s eye maple field. Michael described an oil lamp that had been converted to use electricity. Unfortunately, the milk glass shade had been broken and the lamp is currently stored in the garage until a new shade can be found. These three pieces are lovely in their own right, but the real story involves the interaction of all three.
Michael remembers traveling by train to visit her great aunt Nellie Pearl Huntley in her “spooky, old Victorian house with lots of gingerbread.” As an imaginative child, Michael was really effected by the atmosphere in her Aunt’s house. Aunt Nell visited the family in their home a few more times before her death. Michael’s father, as the favorite nephew, inherited many things from her house. A vignette was created from some of Nell’s favorite items in the entry hall of the family house. The desk was placed near the stairs with the writing desk and lamp resting on the top. The lamp became the night light for the entry way as little Michael became a teen.
One day, Michael had dumped some school books on a chair near the desk and left them there while she went out for a date. When she got home she scooped the books into her arms and then tried to turn out the light. She remembers the closed desk and writing slope because she had to stack the books back in the chair while she turned the light out. She picked the books back up and went upstairs to her room. Later, when her mother came to say goodnight, she mentioned that Michael had left the light in the hall on. Michael tried to tease her mother by saying a burglar had turned the light on because she knew she had turned it off. Her mother retorted by saying a ghost had turned the light on. (Her mother’s biggest fear was having a burglar in the house and Michael was not fond of ghosts.) After they had thoroughly frightened each other they crept down to the entry to turn off the light. When they got there they found that not only was the light on but the desk was open with the open writing slope sitting in the middle of it! “I told you it was Aunt Nell,” said Michael’s mother. She calmly turned off the light and went back to bed. After all, she was much happier with a ghost than a burglar.
Michael tells me that the same thing occurred several more times through the years. Aunt Nell seemed to like the placement of her possessions until Michael's father decided to make some “improvements” to the desk. He thought pieces should be used and felt he would enjoy combining his stereo with the desk. He removed the center board of the pull out writing surface and dropped his turntable into the drawer below. By hinging the front of the drawer he could access the dials. Aunt Nell either didn’t approve of the use of her desk or of the music played because she would drag the needle across the album or completely turn off the power. The stereo didn’t just have a brief lapse, such as a power surge, but the dial would have been turned to the off position. After months of interrupted musical evenings her father gave up and removed the stereo.
Years later, with both her parents gone, Michael and Bob chose a few things from their house to remember them by. Though the lamp, writing slope and desk all live in Beaufort at the Pearson home they are not in the same room. (Even putting two of the pieces together for the sake of the photos for this article was a little creepy. I didn’t lose my nerve only because Dixie the dog seemed not to lose any sleep as a result.)
I hope you have a few family treasures that you love. I think the possessions that go from generation to generation help us keep memories alive and help us appreciate the past. But, if any of those possessions go bump in the night, give me a call. I love a good ghost story.
Libby Holloway is a Certified Appraiser of antiques and residential contents. She is a member of the International Society of Appraisers where she is currently serving as Secretary of the Board of Directors. Libby can be contacted at www.LibbyHollowayAppraisals.com.
Keeping the Family Tradition
Wednesday, 28 April 2010 12:12
Some families seem to pass on a passion for collecting like other families pass on things like eye color or the shape of a nose. Bill Boette, an antique dealer from Columbia, loved to collect glass. His favorite was something called Mary Gregory glass. This form features a cameo-type design of white enameled decoration on colored glass, a style attributed to American glass artist Mary Gregory… hence the name. Early pieces (c1870-1950) usually show children at play. The later pieces have less detail and tend to show the children being idle (Is this perhaps a comment on our generation’s children?). European examples often have tinted faces with features painted in, while American-made examples tend to be all white. Though dealers usually look for items to resell to their clients at a profit, Mr. Boette just couldn’t let go of the charming glassware.
As his daughter, Billie Boette, traveled with him from auction house to dealer she began to collect as well. She was drawn to small, old items and has several collections that are contained in display cases. She began with a collection of small boxes, her first being a wooden tool box purchased because the wood had been worn to a satiny smoothness. “One little thing would lead to another collection,” she says. One of these other collections consists of butter pats or butter chips, miniature plates used to hold an individual serving of butter. The height of their popularity was 1880-1910, though later examples can be found. They are decorated in the same patterns as popular dinnerware sets of the time.
Billie also has ink wells of all types, collected on trips with her Dad and around the world. She has small personal wells and large wells to be used in places of business. My favorite is found among her collection of tiny ones with special covers or cases to be used while traveling. She has the most wonderful miniature globe which opens to reveal a small inkwell. This may be the most valuable well in her collection – though Billie doesn’t seem to have much interest in the monetary value of her collections. Each represents a time with family and friends or an exciting trip abroad.
I often ask the collectors I interview to share a favorite collecting story. Billie chose to share her saddest. She had persuaded her Dad to “store” some Mary Gregory perfume bottles he had found at her home. With those in mind, she purchased three old bottles in Yemen while on a trip there. She carefully wrapped the pieces for travel and gently cradled them on the flight home. She was delighted to find that they survived the flight. After a late arrival home from the airport she decided to leave the unpacking of the car for the next day. While cleaning the car, she began to chuck all the bags of trash that had accumulated into the nearby can. When one bag hit the can with an unusual crashing noise, she went to investigate. Much to her dismay, she found the pieces of one of the bottles in the bag. The two survivors were placed in one of the display cases and the “lesson learned” was placed firmly in her memory for future reference.
In her preparation for a move, Billie is once again lovingly packing her collections. Her new home was chosen in part because there was room for the boxes, ink wells, glass, butter chips, tiny Nativity scenes.... you get the picture. Bill is gone now and remains in the memories of those who knew him as a charming man and a knowledgeable dealer and collector. Billie will be in a new area soon and will be missed by her friends here in Beaufort. Luckily, I know I can keep up with her and any new acquisitions to the collections by email.
In honor of her father, a rare Mary Gregory covered punchbowl with an underplate will continue to take pride of place atop one of her display cases.
Libby Holloway is a Certified Appraiser of antiques and residential contents. She is a member of the International Society of Appraisers where she is currently serving as Secretary of the Board of Directors. Libby can be contacted at www.LibbyHollowayAppraisals.com.
Wednesday, 31 March 2010 09:08
Many of us who contribute to and read this publication will agree that the written word is an art form. Have you ever thought about the instrument used to write the words as an art form? I know many of you may think your computer is absolutely beautiful but I am referring to ink pens, fountain pens to be exact.
Early tools to put ink to paper included quills or pens with steel nibs which were dipped into ink wells. This was a messy and time-consuming project. The innovators of the 19th century soon created pens that could hold the ink as well as dispense it. These early tools were usually made of hard, black colored rubber. By the early 20th century fountain pens were being made for specific functions with nibs designed for small, precise work such as accounting and with nibs for such jobs as decorative calligraphy. As the ability of the pens to satisfactorily distribute the ink properly increased so did the desire to make pens that were lovely as well as functional. Gains in the technology of rubbers and plastics made it possible to create lovely cases in a rainbow of colors.
The earliest color combination was red and black in a rubber material. Since the red rubber was less stable than the black it wasn’t as well suited for solid pens. The marbled blend of color which began as a practical measure became one of the most popular variations available. Soon colors and patterns were created to appeal to certain groups. Women preferred softer colors or “jeweled” cases and men liked natural materials such as gold, snakeskin, wood and leather. Many plastic cases have designs that replicate minerals and semi-precious stones. Fountain pens became more common and less expensive quickly after 1910. As they became available to more social groups, the more upscale designs became popular with those who could afford the best. These designs were status symbols purchased to give an aura of success to the owner. Many businessmen sported fancy fountain pens in outer pockets. (This must have given rise to such auxiliary products as pocket protectors and stain removers.) Maybe our practice of giving pen sets to new graduates arose from this idea that those with nice pens had “arrived”.
Collectors of fountain pens look for examples from the stages of technological development as well as the wonderful exteriors. Not only have the pens become an interesting area for collecting, but the original advertising is popular as well. Most pens are valued in the $15-$45 range. Those that are the “firsts” or are more rare examples can have much higher values. Pens with gold or sterling cases and those jeweled with genuine stones can cost over a thousand dollars. Provenance, such as the maker or the user, can also push the value into the thousands. I searched some recent auction results and found a jeweled pen by Tiffany and a simple pen used by John F. Kennedy to sign a minor treaty. Each sold around $2,700.00. Condition is also key, common examples should be in working order. If accepting a non-working pen into your collection means that you can have that wonderful silver Tiffany pen, then go for it.
A friend who was sharing her collection with me said she chooses pens with flashy, colorful cases that appeal to her. She collects in the mid price range and isn’t very concerned about whether the pens work properly or whether she is following all the “rules” in her price guides. Though she loves all her pens, those marked with the manufacturer and patent date are a special collecting area. She started collecting when she was cleaning her mother’s house and found an old fountain pen. She liked the idea of collecting something that wouldn’t take up much room and the hobby blossomed from there. Fountain pens were inexpensive at the time she started searching flea markets and estate sells. She admits to sometimes paying more than she should for a pen that was especially tempting. A favorite collecting story takes place on a day when she was picking up her grandchildren in Charleston and had ten minutes to spare. She dropped into an antique mall she liked and immediately spotted a small jewelry case with about twenty fountain pens inside. The whole thing was priced at $20. She says she grabbed the box, rushed to the counter to pay for it and still managed to get downtown to meet the kids on time. According to her, driving home without taking the time to look in the box again was very hard.
Her collection has expanded to over 150 pens and matching pencils. The better examples are housed in special cases designed for showcasing them. Some of these cases are more expensive than the pens and original point of sell cases are collectible in their own right. Her husband surprised her one anniversary by having some favorites placed in a shadow box frame that can hang on the wall. Though not all the pens are on display, she enjoys looking at them and remembering the personal meaning of each. Not only is she surrounded by a collection that gives her lots of joy, but she never has to search for a pen to write a note with.
Libby Holloway is a Certified Appraiser of antiques and residential contents. She can be contacted at www.LibbyHollowayAppraisals.com